His Story Was Cut Short
Sure, the Grateful Dead were synonymous with psychedelics, free love, and 47-minute guitar noodles, but they were not synonymous with personal hygiene. Even so, only one guy earned the nickname “Pigpen,” and he was a walking contradiction. Pigpen McKernan just said no to acid and “Yes, please” to rotgut booze. And while the rest of the band drifted into cosmic improvisation, he stayed rooted in the blues.
Pigpen lived like an outsider and looked like a pirate, but he was still magnetic. Too bad that behind all the swagger, he understood something no one else wanted to admit—he wasn’t built to last.
1. His Roots Were Anything But Ordinary
You could say Pigpen’s outsider gene came baked into his DNA thanks to his dad, Phil, one of the first white DJs at a Black radio station in Berkeley. The man went by “Cool Breeze,” which tells you everything about the household vibe. When Pigpen was born, on September 8, 1945, in a scrappy working-class community south of San Francisco, he was basically born into a soundtrack…
2. He Learned Fast
Proving that you don’t need to live the blues to enjoy them, toddler Pigpen dug into his dad’s extensive record collection—everyone from Lightnin’ Hopkins to The Coasters—and liked what he heard. Before he even hit puberty, he was making his own music: pounding on the piano, wailing on the harmonica, and strumming the guitar. But music wasn’t the only passion he picked up during those years…he also started enjoying something more dangerous.
Michael Ochs Archives, Getty Images
3. He Hit The Sauce Early
While most kids his age were sneaking comic books and rock and roll, Pigpen McKernan was getting into something much stronger. By the time he was around 12, he’d already developed a taste for hard drinking—and just like his blues heroes, he preferred the cheapest stuff he could get his hands on. It was a dangerous beginning for a kid who just wanted to play the blues.
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4. His New Hood Changed Everything
In the early 1950s, Pigpen’s father made a head-spinning career pivot—he quit his DJ gig and took a job as an electronics engineer at Stanford Research Institute. The move landed the family on the rougher eastern edge of Palo Alto. While many working-class Irish Catholic families of the time held deep biases toward their Black neighbors, Pigpen did not. He gravitated toward the music and the people who made it with zero hesitation.
This wouldn’t be the last time he defied expectations.
Coolcaesar at English Wikipedia, Wikimedia Commons
5. He Entered His Rebel Era
One great thing about the move? For Pigpen McKernan, it was easy to score booze in the rougher parts of Palo Alto, long before it became a tech utopia. Also, by now, teenage Pigpen was all in on the outlaw aesthetic, sporting a mustache, tight pants, and leather vests. Even though he was not the golden-boy quarterback, he always had friends and a girl (or two) on his arm. One former schoolmate said, “I just remember him in his last days at Palo Alto High School before he was expelled. He was sort of an unforgettable character."
And pretty soon, he would cross paths with another unforgettable character—one who would end up changing everything.
David Sawyer, Wikimedia Commons
6. He Was Built Different
Long before the tech bros moved in, the Peninsula in the early 60s was all hootenannies, cheap hooch, and good vibes—basically heaven for 14-year-old Pigpen McKernan. Amongst all the folksingers, he soon found Jerry Garcia—the only other guy who’d rather wail “Born Under A Bad Sign” than strum “Kumbaya”.
“All the Black people loved Pigpen,” Jerry recalled. “They loved that he played the blues. And he was a genuine person—he wasn’t like a white boy trying to be Black”. His friends even gave him the nickname “Blue Ron” (high praise, indeed). It wouldn’t be long before Jerry realized that he wasn’t dealing with a normal dude.
Carl Lender, Wikimedia Commons
7. His Bedroom Was A Wild Place
Teenage Pigpen, who wouldn’t earn that Peanuts-inspired nickname till later, actually took his style cues from Winnie the Pooh—AKA, a T-shirt and no pants, even when friends were over. Jerry Garcia didn’t care. He spent countless hours in Pigpen’s room, a chaotic mess of clothes and records with a definite funk in the air. Fun fact: Pig’s personal odor was so foul that he was banned from the local pool.
The pair would jam and play records while every few hours, Pigpen’s mother would check in—never spotting the bottle he stashed under his bed.
Richard McCaffrey, Getty Images
8. He Was Not That Innocent
For all the innocent chaos of Pigpen’s bedroom, his mother wasn’t wrong to worry. Once he was outside the house, things got sketchier. One of his East Palo Alto buddies was a man named Tawny Jones, who drove a bread truck that was used for more than delivering bread. It had a mattress in the back—yikes—and the pair also used it for bootlegging missions, scoring horrific but dirt-cheap rotgut.
They’d drink, carouse, and end up down by the railroad tracks, writing blues songs like their heroes. One time, the trouble went from rowdy to dangerous…
Warner Bros. Records, Wikimedia Commons
9. He Had A Certain Style
Pigpen McKernan may have looked rough with his greasy hair, a large boil on his cheek, and a motorcycle chain literally soldered to his wrist, but he wasn’t much of an outlaw. Aside from swiping blues records, he mostly played at being tough. Case in point: A friend once offered to sell him a 9 mm automatic. Pigpen borrowed it instead to show it to his dad…and returned it a few days later, whispering, “Don’t tell anybody I had it”.
His persona was just one ingredient away from being complete…
Gijsbert Hanekroot, Getty Images
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10. He Earned His Nickname
There was more to California’s early-60s Peninsula folk scene than hippies and beatniks strumming guitars. It was an entire movement revving to life. As Hunter S. Thompson wrote, “There was madness in any direction…you could strike sparks anywhere”. One night, as McKernan and some friends stumbled out of a folk gathering at the Boar’s Head, pal Sherry Huddleston jokingly called out, “Oh, Pigpen” like the Peanuts comic strip character. Everyone immediately knew it was perfect.
A spark had been struck.
Herb Greene, Wikimedia Commons
11. He Played In Some Strange Places
Judging by Pigpen’s stint with a band called the Zodiacs, you’d never guess fame and fortune were anywhere in his stars. Most of their gigs were in Stanford frat houses—not exactly big time. But one night, things got surreal. The band’s management had booked them a show inside the men’s dressing room at Searsville Lake. They ended up playing blues riffs while surrounded by showers, benches, and dripping swimsuits.
Everybody has to start somewhere, right? Too bad Pigpen’s next gig was downright dangerous.
12. His Gig Went Off The Rails
From Animal House to Project X to Neighbors, Hollywood loves a good frat party meltdown. Pigpen McKernan got to experience the real thing when a Zodiacs gig went feral. First, a massive fullback decided to hang upside-down from the rafters. The band watched in horror as he slipped and smashed headfirst into the floor. Everyone froze. After a beat, he stood up and walked it off like nothing had happened.
Unbelievably, that was just the warm-up…
13. He Had A Close Call
After the fullback’s fall, the night got uglier. At some point, someone thought it would be hilarious to cram the entire party into a plastic raft and shove it into the pool. The resulting tidal wave would’ve made Archimedes proud—water surged out, flooded the deck, and rolled straight across the band’s gear.
A wild jolt of power electrocuted Pigpen and the Zodiacs were mid-song. They lived, but it was the kind of “fun” that made you wonder how any of them survived long enough to join a real band.
Gijsbert Hanekroot, Getty Images
14. His Fate Was Starting To Click
Never underestimate what a few weird geniuses can cook up in a Palo Alto garage. It was in Jerry Garcia’s garage during a ramshackle jug band rehearsal that the future core of the Grateful Dead first started to take shape. Sixteen-year-old Bob Weir wandered in, wide-eyed, and met Pigpen McKernan for the first time. “I was kind of in awe of these guys…I really had almost no experience,” he said.
He’d soon enter a world he never could’ve imagined.
15. He Was The Real Deal
The garage band became Mother McCree’s Uptown Jug Champions—a bunch of scruffy guys banging on washboards and blowing into jugs. The lineup was as chaotic as the sound, but with Pigpen, Garcia, and Weir at the core, the mood shifted. Bandmate David Nelson said it best, “Pigpen being in the band made it really legitimate beyond belief”.
Thanks to Pigpen, the band suddenly had teeth, and their very first gig was about to make a major impression.
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16. He Needed A Pick-Me-Up
In the dark months following the assassination of JFK, the jug band’s January 1964 debut show brought some welcome levity. They were 100% not just another jug band riding the trend—yes, there were many at the time. According to manager David Parker, their performances were “slightly loony and chaotic,” and Garcia said, “the sheer fun of it made it successful”.
Pigpen McKernan needed to get his drink on to perform. The crowd laughed, the music shambled along, and nobody thought too much about it. But it was a warning sign of the chaos to come.
17. He Changed Everything
Sure, the Beatles shook the world, but it was the Rolling Stones’ gritty R&B that spoke to Pigpen’s soul. While everyone else was happy blowing kazoos and clacking spoons, Pigpen was itching to plug in and get loud. For months, he hounded Jerry Garcia about ditching the jug band and going electric. The jug band did a few blues songs anyway, so it wouldn’t be a huge leap.
At last, Garcia caved—and in that moment, music history quietly tilted on its axis.
18. He Was A 24-Hour Party Machine
If there was one constant in Pigpen’s early days, it was the brown paper bag. He was perpetually half in the bag and usually left a trail of chaos wherever he went. One night, he and some pals crammed into a beat-up car to get to a KPFA hootenanny. No one seemed to mind the fact that the car had a broken window—at least until they hit the highway and shards of glass started whipping into their faces.
Pigpen, young, buzzed, and totally unfazed, passed around his mystery bottle of Silver Satin and kept the party rolling…for now at least.
19. He Was More Than A Musician
Pigpen’s push to plug in triggered the chain reaction that became The Warlocks, and eventually the Grateful Dead. The name? A mystical, wizardy vibe cooked up between Pigpen, Garcia, and Weir, who was reading Lord of the Rings. Almost overnight, Pigpen became the band’s beating heart. He was on the mic, blowing the harp, and pounding the organ. With Bill Kreutzmann on drums and Dana Morgan Jr. on bass, the five of them started their march into music history with their first gig.
Chris Stone https://gratefulphoto.com, Wikimedia Commons
20. He Was Onto Something
At first glance, The Warlocks’ debut was not giving future-future-stadium filler vibes. On May 5, 1965, they played a sleepy midweek set at Magoo’s Pizza Parlor in Menlo Park. A handful of high school kids were at the first gig, some of whom had probably just wandered in looking for food.
But a week later, something wild happened. The place was packed wall-to-wall. Word about this strange new electric sound had spread—fast. Pigpen’s music career had just leveled up.
Gijsbert Hanekroot, Getty Images
21. His Band Shed Its Old Skin
By December 1965—long before Joe Rogan turned DMT into a podcast topic—Jerry Garcia had his own mind-bending moment. High on DMT, he randomly jabbed his finger onto that fateful page of a Funk & Wagnalls dictionary, and it landed on “Grateful Dead”. It was strange, eerie, and kinda out there—just like the band itself. One thing that they were not was easy on the eyes, as someone would soon cruelly point out.
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22. He Clicked At The Acid Test
Ah, the Acid Test—Ken Kesey’s psychedelic mind-mixer. It was at one of these trippy gatherings that Pigpen McKernan crossed paths with a young San Francisco promoter named Rock Scully, who would soon become one of the Grateful Dead’s managers. Pigpen strolled up in his biker jacket covered with medals, introduced himself as Ron, and said, “Owsley told me to come talk to you. He says you're gonna manage us or something”.
Scully nodded toward the rest of the band and said, “I’d like to—though you guys are ugly as sin”. Ouch. Don’t worry, Pigpen’s reaction was perfect.
Ted Streshinsky Photographic Archive, Getty Images
23. He Was Negged
Pigpen just grinned at Scully’s jab and said, “Yeah, aren’t we?” The banter continued when Scully said, “The Rolling Stones are ugly too!” Pigpen nodded. “Yeah, and we play the same kind of music. Except we do it better”. Their chemistry was instant, helped along by one unusual fact: they were the only two people there not high on acid.
In the wild early Dead scene, that was practically a cosmic sign.
Michael Ochs Archives, Getty Images
24. His Friend Spilled The Tea
What on earth does Bravo’s Andy Cohen have to do with Pigpen? Well, for one thing, he’s a bona fide Deadhead, and in 2022, Pigpen’s Grateful Dead bandmate Bob Weir cracked open the vault on Cohen’s Watch What Happens Live. When Cohen brought up Janis Joplin, Weir called her a heck of a girl. He then casually let forth with a stunning confession. Way back in 1966, when the band was staying at a former Boy Scout camp in Lagunitas, California, Janis and Pigpen were an item.
But because this was Andy Cohen’s couch, Weir’s story didn’t stop there…
Grossman Glotzer Management Corporation, Wikimedia Commons
25. He Made Use Of The Bunk Beds
The band had gone to the Lagunitas camp to escape the city, relax, and work on songs—but Pigpen McKernan found his own way to unwind. According to Weir, Pigpen and Janis were often going at it in the room next door, separated only by “cardboard-thin walls”. How thin? Thin enough for Weir to hear everything.
“It was all night long,” Weir said before launching into a high-pitched impression of Janis shrieking, “Daddy! Daddy! Daddy!” Don’t worry, it only gets wilder from here.
26. He Was At The Counterculture’s Ground Zero
After a free-wheeling summer, the band landed at what would become one of rock’s most mythic addresses: 710 Ashbury. It was a grand old rooming house that still had tenants. To get rid of them, Pigpen McKernan and his new buddy Rock Scully would stay up late drinking in the kitchen and raising such a ruckus that one by one the residents moved out. Each time someone left, a new member of the band moved in.
It wasn’t long before the place transformed into a hippie community right in the center of Haight-Ashbury’s psychedelic storm.
Toney O. Burkhart, Wikimedia Commons
27. He Stumbled Into Love
That fall, Pigpen McKernan found his romantic foil in the unlikely Veronica “Vee” Barnard. She’d broken away from her strict Seventh-Day Adventist home in Vallejo to find freedom, but it’s safe to say that she didn’t expect to find someone quite that, ahem, unrestrained. She first bumped into Pigpen at the Blue Unicorn coffeehouse. He invited her to a party, sparks flew, and it wasn’t long before they were inseparable.
What started as a chance encounter would turn into one of his most meaningful—and most tragic—relationships.
Michael Ochs Archives, Getty Images
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28. He Was An Early Couch Rotter
For all his stage swagger, Pigpen’s life with Vee was surprisingly calm. Aside from daily booze runs to the deli on Haight or midnight missions to Leonard’s Hickory Pit Barbecue, he barely left the house. Most nights he stayed in, watching TV or reading stacks of sci-fi and fantasy books and scribbling down beat-influenced poetry (“We’ll howl through eons / whilst Charlie Mingus puts it down…”).
Of course, Pigpen wasn’t exactly antisocial…
WhatMyUserName, Wikimedia Commons
29. He Ran His Own Little Kingdom
Pigpen’s room at 710 Ashbury was the stuff of legend. Bob Weir called it “a place unto itself,” a dark little den where Pigpen held court for his own late-night coterie. Jerry Garcia said, “You’d go in there, and there might be half a dozen hippies and Black people hanging out, drinking, and listening to Pigpen doing whatever he was doing.” Garcia continued, “People’d be hanging on his every word…He could charm the Pope!”
It was all very easygoing…except for those times when it suddenly wasn’t.
30. He Could Be A Diva
One of the great ironies of Dead lore? Pigpen McKernan hated psychedelics. The first time someone secretly dosed him, he freaked out so hard that road manager Laird Grant had to shove a harmonica in his hands and tell him to play it to calm him down. After that, he lived in constant fear. He even ordered anyone who went on a booze run to make sure they brought him his Southern Comfort with the seal unbroken.
Too bad for Pigpen that the Merry Pranksters were intent on making him the target of their mayhem.
31. His Worst Fear Kept Finding Him
Even with his guard up, Pigpen still got hit. Wavy Gravy said Pigpen would go berserk whenever someone secretly dosed him. Unfortunately, this only encouraged Merry Prankster Ken Babbs, who tormented him by cutting the power to his keyboard at random moments. No wonder Pigpen bonded with Janis Joplin—she also hated psychedelics.
So, Pigpen stuck to booze instead. As Rock Scully put it, “He drank all the time…but you never had the feeling he [had a problem] because he could hold so much”. Soon enough, though, the cracks began to show.
32. He Got Caught In The Crossfire
The magic of 710 couldn’t last forever. By the end of the Summer of Love, the shine was already fading—and then came betrayal. In October 1967, one of Ken Kesey’s hangers-on tried to save his own skin by ratting out the house. Within hours, a swarm of grim-faced (and high-ranking) officials stormed the house, tearing through rooms in search of pot. The media were camped outside, loving every minute of it…
33. He Was Swept Into The Chaos
Of course, the authorities found plenty of pot in various forms—and hauled out everyone inside. In a cosmic joke, this included Pigpen McKernan and Veronica…even though Pigpen didn’t go near the stuff. To add insult to injury, they also confiscated Pigpen’s perfectly permitted Beretta.
The next morning, Pigpen, Veronica, and the rest of the household and guests were on the front page of the San Francisco Chronicle. Little did Pigpen know his real troubles were only just beginning.
San Francisco Chronicle/Hearst Newspapers, Getty Images
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34. He Faced The Ultimate Betrayal
In the late summer of 1968, Pigpen McKernan had to face another gut punch. He and Bob Weir were quietly pushed out of the band they helped create. Wait—didn’t Jerry Garcia once say, “Pigpen was the only guy in the band who had any talent when we were starting out…He was the guy who really sold the band, not me or Weir.” Early superfan Sue Swanson agreed: “Pigpen was the only one who was really a showman”.
So what gives?
Michael Ochs Archives, Getty Images
35. He Was Left Behind
It was a strange twist of fate. The two members who didn’t take psychedelics were suddenly the ones who couldn’t keep up with the Dead’s rapidly mutating sound. Three years in, the band’s expanded minds led to expanded arrangements, which were dense and complex, and required endless rehearsals.
Pigpen, still a bluesman at heart, skipped them. Weir, whom the band viewed as “the kid,” had been written off by them as being unable to handle the new sprawling jams. And yet, something about their removal still didn’t add up.
36. He Was The Glue
For all the talk that Pigpen couldn’t keep up, he was actually the band’s anchor—the sober center who kept the music from flying off into deep space. Not to mention, his songs were a huge and popular part of the stage show. So when Garcia and the others pushed him and Weir out, it crushed him. For the next several weeks, both Pigpen and Weir practiced nonstop to claw their way back. Garcia later shrugged, “We fired them, all right, but they just kept coming back.”
37. He Made The Call No One Wants To Make
It started like any ordinary morning in 1968, but in an instant, Pigpen McKernan would have to deal with something he never could have anticipated. Something was suddenly, frighteningly wrong with Veronica, and it was quickly moving from bad to terrifying. He dialed the phone, looking for his manager, Rock Scully. Sue Swanson answered, and as soon as she heard Pigpen’s ragged voice, she could tell that something was really wrong. “What’s the matter?”
There was a long pause. Then Pigpen said, “It’s Veronica”.
San Francisco Chronicle/Hearst Newspapers, Getty Images
38. His Worst Fear Came To Life
Pigpen’s next words sent a chill straight through Sue. “Veronica’s had a stroke”. Sue almost dropped the phone. Veronica wasn’t just a friend—she was more like family. “What can I do?” she asked. Pigpen replied, “Pray”. Years later, Sue would say it was the most serious thing she’d ever heard Pigpen say.
Veronica survived thanks to emergency surgery, but her recovery was an entirely new battle.
Kenneth C. Zirkel, Wikimedia Commons
39. He Was Her Rock
After Veronica’s surgery, she couldn’t walk or talk for quite a while—and Pigpen McKernan stepped up. He became her unofficial therapist and cheerleader. “You can do it, babe. You can do it,” he’d tell her, refusing to let her take the easy way out. And when she tried to hide her shaved head under a wig, Pigpen marched her down Fillmore Street, pointed out all the confident women rocking short hair, and gently convinced her she didn’t need to hide at all.
She would try her best to return the favor when the tables turned…but Pigpen didn’t make it easy.
Pi.1415926535, Wikimedia Commons
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40. He Ruled The Stage
Pigpen’s presence on the Dead’s albums was fading by 1969, but onstage, he was becoming their full-blown frontman. He was a swaggering blues shaman who turned concerts into sweaty, electrified rituals. He even worked Otis Redding and James Brown covers into the setlist, but “Turn On Your Love Light” is where it became his show. He turned the song into a sprawling, 20-30 minute finale where he’d riff, growl, and improvise raunchy lines that sent the audiences into a frenzy.
But behind the spotlight, everything was unraveling.
41. He Was Not Well
Pigpen McKernan was still in his 20s, but he’d already been drinking enough for many lifetimes—and by September 1971, his body started to give out. He landed in the hospital with a perforated ulcer and hepatitis. The terrifying part? He’d already started to cut back. Easing off the booze had sent him into dangerous withdrawal—sweats, tremors, and nausea—and he’d lost a lot of weight.
Everyone in the band knew his drinking was bad, but in classic Dead fashion, no one thought it was their place to step in.
Tomasz Sienicki [user: tsca, mail: tomasz.sienicki at gmail.com], Wikimedia Commons
42. His (Love)Light Was Fading
It wasn’t just Pigpen’s health that was deteriorating—his whole personality seemed to dim. He grew pale and thin and lost his trademark spark. As Rock Scully put it, “You could just feel that there was no enthusiasm…he started to turn kind of sour”. For a guy whose energy once fired up entire crowds, it was chilling.
The band scrambled to help. They found a top liver specialist at UCSF, donated their own blood, pushed nutrition, and did anything they could think of. Pigpen truly tried, but the doctors had quietly warned the others that there wasn’t much hope. Pigpen refused to believe it.
43. He Was Too Sick To Tour
The timing of Pigpen’s collapse couldn’t have been worse. The Dead’s fall tour was just days away, and while Pigpen was in a hospital bed, Garcia brought in pianist Keith Godchaux to fill in. Looking back, Phil Lesh admitted that “it would have been better for Pig if we’d just canceled the tour and let him recover all his strength at his own pace”. Instead, they told Pigpen he could rejoin the band when he felt up to it. It put a lot of pressure on Pig to get better.
Somehow, against all odds, this tough love actually worked—at least for a while.
44. He Wouldn’t Give Up
Amazingly, just months after collapsing, Pigpen McKernan dragged himself across the Atlantic for the Dead’s massive Europe ’72 tour. He was a shadow of his former self—weak, exhausted, and barely able to perform—but he never complained. His final show was on June 17, 1972, at the Hollywood Bowl, and he spent most of the show slumped over his organ, hardly moving.
He couldn’t join the next tour, though he still phoned the band office just to stay connected. Road manager Laird Grant later said, “I saw people kind of turning their back on him”.
In one heartbreaking incident, that’s exactly what happened.
Edwardrhodes06, Wikimedia Commons
45. He Was Trying To Hold On
Pigpen must have felt the clock ticking, because in March 1973, he insisted on seeing his bandmates one more time. He asked photographer Bob Seidemann to drive him to the band’s rehearsal—he wanted a photo with the friends he’d spent his life with. It was the kind of request that should have stopped them in their tracks, but when he walked in frail and hopeful, they brushed him off. Seidemann recalled that they “coldly put him down, turned him away”.
After everything that he’d poured into the band, it was a crushing moment. And Pigpen seemed to know it.
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46. He Was Pulling Away
By this point, Pigpen McKernan was shutting the world out—even Veronica. In a moment of chilling clarity, he told her, “I don’t want you around when I [go],” and sent her out of his life. Their once-devoted relationship collapsed into a bitter fight over furniture so messy that two lawyers had to step in. Pigpen pushed away the last person who truly knew him…making sure he’d face whatever came next alone.
47. He’d Fallen Silent
Something about Pigpen’s house in Corte Madera felt…off. His landlady noticed the lights had been blazing for two days straight, his car sat untouched in the driveway, and the back door of the house was wide open. When authorities went inside, they found Pigpen, half-dressed, lying on the floor beside the bed. He had suffered a massive gastrointestinal hemorrhage, tied to a rare autoimmune liver disease that had been worsened by his years of hard drinking.
On March 8, 1973, at just 27, Pigpen’s story came to its tragic end.
Danwri at English Wikipedia, Wikimedia Commons
48. His Wake Was Unhinged
If Pigpen McKernan were looking down at his wake, he definitely would have raised a glass in approval. Bob Weir hosted it at his sleek new house, but it quickly turned into something far more chaotic than a funeral. Around 500 people showed up, spilling through the rooms and down the rain-soaked hillside. In the mud and darkness, strangers bawled, screamed, rutted around in the buff, laughed, and drank.
As lyricist Robert Hunter put it, “If there’s one thing I learned from Pigpen…I’m going to get [hammered] and have a real good time”.
San Francisco Chronicle/Hearst Newspapers, Getty Images
49. He Still Had Something To Say
Sometimes when people depart this life too young, they leave a louder echo behind—and Pigpen’s was impossible to ignore. Later that year, while the band were rehearsing Wake of the Flood, someone left an Ouija board lying around. Robert Hunter and Donna Godchaux decided to have some fun. They were not expecting the planchette to start zipping around the board like it had a mind of its own. When they asked who was there, the board spelled out “Pigpen”.
They started asking questions, and the answers were so Pigpen-coded that they sat there stunned.
50. He Wasn’t Gone For Good
A very unnerved Hunter and Donna swore to each other that they weren’t pushing the planchette. They asked Pigpen if heaven was nice (“Yes.”). What did he do up there? (“TV”). How did he get around? (“VW”). Did he have a message? Just a single, heartbreaking letter: “V”.
It was enough to make Hunter swear off Ouija boards forever, but the story stuck because it felt exactly like Pigpen: blunt, funny, and unapologetically himself. Even though his passing meant that the Grateful Dead would never be the same, they still found ways to summon his presence. As Jerry Garcia put it, “‘Lovelight’ will always be Pigpen’s tune…we’re calling him back a little when we play that”.
Michael Ochs Archives, Getty Images
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