"This whole world is wild at heart and weird on top."
One of the greatest directors in modern American cinema, the quirky David Lynch has inspired countless viewers with his incredible and surreal cinematic visions. From the wacky to the disturbing, here are some of the most interesting facts from the David Lynch film canon.
1. Car Accident Coincidence
Full of excitement while on her way to audition for Mulholland Drive, actress Laura Elena Harring got into a car accident with another actor who was also their way to an audition. After arriving to the audition, Harring quickly learned that her character gets into a car accident in one of the first scenes of the movie. Coincidence? I think not!
2. Mulholland Man
The scene in Mulholland Drive where Adam Kesher smashes the windshield of his producer’s car with a golf club is a direct reference to the time Jack Nicholson took a golf club to another motorist's car in 1994.
Mulholland Drive (2001), Canal+
3. Hollywood Life
Much like her own character in Mulholland Drive, Naomi Watts was struggling to make it in Hollywood. After she shot the film, she was facing eviction from her apartment and lost her health insurance, two things that pushed her to the brink of leaving Hollywood. It took a good convincing by her friend Nicole Kidman to stay until at least Mulholland Drive was released. And boy was Kidman right; the film elevated Watts to a new level.
Mulholland Drive (2001), Canal+
4. Twin Peaks Spin-Off
Mulholland Drive was originally inspired by Twin Peaks, and David Lynch developed the idea as a spin-off to the show starring the character of Audrey Horne. In fact, the audition scene in the movie is taken from the script from the second episode of Twin Peaks, when Bobby confronts Shelly about the injuries Leo was inflicting on her.
Mulholland Drive (2001), Canal+
5. Television Rejection
Since Mulholland Drive was a Twin Peaks spin-off, it was initially created as a television series pilot for ABC. ABC was not a fan of the pilot, and Lynch developed it into a feature-length movie after receiving funding from the French film studio Studio Canal.
6. Teachers Calling Home
After Blue Velvet was released, the citizens of London weren’t the only ones who were unhappy. Isabella Rossellini’s talent agency detested the movie so much, they dropped her upon seeing the movie. Rossellini was also phoned up at home by the nuns that taught her in high school. The nuns were so troubled, they felt the need to tell Rossellini that they were praying for her.
Blue Velvet (1986), 20th Century Fox
7. Blue Velvet Protest
When Blue Velvet was first released in London, many people took to picketing it, as they found it a troubling film. Well...I guess they’re not wrong about it being a troubling film.
Blue Velvet (1986), 20th Century Fox
8. No Curse Words
The Straight Story ended up being the last film of Richard Farnsworth's career because he was battling bone cancer during its production and sadly, he ended his own life soon after his role in the film. However, he originally turned the role down due to the profanity of Lynch’s previous movies, and had to be convinced by Lynch himself that the movie would not contain any cursing or harsh language.
The Straight Story (1999), Walt Disney Pictures
9. Puzzled Actors
Inland Empire is an odyssey of a film, and its meaning is difficult to grasp, but you would think that the actors must at least know what it means, right? Nope. Co-stars Laura Dern and Justin Theroux, who have each worked with Lynch previously, are both on record saying that they have no idea what the film is actually about.
Inland Empire (2006), StudioCanal
10. Simple Title
Though Inland Empire may not be understood by many, the title isn’t the best place to look for clues. The origin of the title comes from a conversation between star Dern and Lynch, in which Dern told him that her husband was originally from Inland Empire in California. Lynch loved the way the two words sounded together and made it the name of the movie. To put it in his own words; “I like the word inland. And I like the word empire.”
11. No Star Wars For Lynch
Lynch almost ended up in the Star Wars universe, but ultimately turned down an offer to direct The Return of the Jedi. George Lucas went through a typical Hollywood pitch in order to try and get the young director in on the project, but Lynch is definitely not the type who can be wooed with extravagance.
12. Lincoln's Untimely Demise
Various films of Lynch's hint at the tragic end of Abraham Lincoln's life, but arguably none more overtly than Blue Velvet. Not only does Don Vallens get shot by Frank Booth, who has the same surname of Lincoln’s murderer, in order for Jeffrey to explore the other side of his town, he must cross Lincoln Street.
Blue Velvet (1986), 20th Century Fox
13. Plot Points
What is the movie Wild at Heart about? Well, in the words of Lynch, “It’s about an hour and forty-five minutes.”
Wild at Heart (1990), PolyGram Filmed Entertainment
14. Thank God They Met
Blue Velvet marked the first time that composer Angelo Badalamenti and David Lynch met.
15. Baby Making
Many have wondered how the baby in Eraserhead was created, but like many things about his films, Lynch refuses to disclose the information. The only thing he has said about it is that, "It was born nearby...Maybe it was found...Talking about how certain things happened in a film, to me, takes a lot away from the film.”
Eraserhead (1977), American Film Institute (AFI)
16. All About That Paperboy
It took Lynch five years to make Eraserhead, which was his first feature film. In order to financially support himself during this time, he took up many odd jobs, including one as a paperboy, slinging Wall Street Journals around the neighborhood.
17. Last Time On Film
Lost Highway was the last film appearance of several notable actors: Richard Pryor, Jack Nance, and Robert Blake.
Lost Highway (1997), CiBy 2000
18. From Page To Film
The origins of Lost Highway come from a line in Barry Gifford’s book Night People. After reading the phrase “lost highway,” Lynch became obsessed with it, and convinced Gifford to work on a script for a movie with him.
Lost Highway (1997), CiBy 2000
19. Real Life Inspiration
While "Lost Highway" may be the phrase that initiated everything, "Laurent is no more" is the memorable quote from the movie. The scene in which Fred Madison hears a stranger utter the words “Laurent is no more” through the intercom apparently comes from a real-life experience from Lynch’s life, when someone spoke these exact words into Lynch’s home intercom.
Lost Highway (1997), CiBy 2000
20. Unconscious Influence
In Lynch’s films, there is always a play of unconscious influences on the characters. For Lost Highway, Lynch has stated his belief that the O.J. Simpson case, regarding a jealous husband accused of ending his wife's life and subsequently denying it both publicly and personally, unconsciously influenced the creation of the film, as both instances share analogous themes.
Wikimedia Commons, Gerald Johnson
21. Creepy Look
Robert Blake is a creepy man. That we all know. So it should be no surprise to learn that he was responsible for developing the appearance of his The Mystery Man character in Lost Highway. After cutting his hair, parting it down the middle, and putting on Kabuki make-up, he approached Lynch in character. Lynch loved it so much, he let Blake keep the style for the film.
Lost Highway (1997), CiBy 2000
22. Manson Cameo
At the end of Lost Highway, when the pornographic film is shown, rock star Marilyn Manson and his bass player can be seen rolling on the floor.
23. Wild For The Book
Lynch wasn't supposed to direct the Cannes Palme d’Or-winning film Wild at Heart, but after reading the Barry Gifford novel Wild at Heart: The Story of Sailor and Lula, he liked it so much that he convinced his friend Monty Montgomery to let him direct the movie. Montgomery had actually originally wanted to direct the film himself, but Lynch was so into the material, he asked Montgomery to hand over directing duties.
Wild at Heart (1990), PolyGram Filmed Entertainment
24. No exposure Of The body
Dern has maintained a strict rule against explicit scenes throughout her career, but for Wild at Heart, she felt that Lynch's vision did not exploit her body, and that her bareness was a part of a protected love story. So, she broke the rule for Lynch—and only Lynch.
Wild at Heart (1990), PolyGram Filmed Entertainment
25. Snakeskin Style
There is only one Nicolas Cage, and we should feel lucky for that. One of the defining features of Wild at Heart is Sailor’s snakeskin jacket, and the reason Cage wears it so well is that it is a part of his own “individuality.” Cage loved the jacket so much—it's his own personal jacket—that he asked Lynch if he could wear it in the movie. Lynch liked the idea, so he wrote it into the film.
Wild at Heart (1990), PolyGram Filmed Entertainment
26. Embrace The Fun
Cage is an actor who embraces wackiness, and that may have something to do with Lynch. Prior to filming Wild at Heart, Cage had been practicing Method acting, but a technique like that is not going to work for a Lynch film, so Cage had to adapt. Lynch pushed Cage to be more playful, and this would inspire Cage for the rest of his career.
Wild at Heart (1990), PolyGram Filmed Entertainment
27. Down To The Wire
Wild at Heart may have won Cannes, but it almost didn’t make it there, as Lynch didn’t finish the film until the day before its premiere at the French film festival. Even then, he almost didn’t get it to the festival in time, as he tried to board his flight to Cannes with the film in his carry-on, which took some arguing with unhappy Swiss Air employees to finally make happen.
28. From Behind
Wild at Heart was released to mixed reviews in the United States, and it was even threatened with an X rating by the MPAA. The X rating was utilized prior to the establishment of the NC-17 rating, and the film nearly received this feared rating partly due to the controversial intimate scene between Cage and Dern. The MPAA found it contentious due to its portrayal of "entry from behind."
Wild at Heart (1990), PolyGram Filmed Entertainment
29. Velvet Songs
Following the trend of the origin that many of Lynch’s film have, his classic film Blue Velvet was inspired by a piece of art: the 1963 Bobby Vinton cover of “Blue Velvet.” According to Lynch, though he doesn’t like that type of music, when he first heard it, its mysteriousness made him think of “lawns and the neighborhood.”
30. Brat Pack
Blue Velvet is the film that brought Laura Dern and David Lynch together, but Lynch’s first choice for the film was actually Molly Ringwald. Ringwald never even got to read the script, however, as her mother found the script so offensive, she refused to pass it on to her daughter.
31. Feast And Beverage
Before Isabella Rossellini was cast as Dorothy Vallens in Blue Velvet, David Lynch was trying to convince Helen Mirren to take the role. One day, while dining at a New York City restaurant, Lynch was introduced to Rossellini, and the two struck up a conversation in which Lynch conveyed his desire to cast Mirren in his newest movie. Two days later, Lynch sent a letter to Rossellini, asking her to read for the film. Shortly afterward, the pair would also start dating.
32. The Daughter Of Ingrid Bergman
Funny enough, Lynch didn’t know who Isabella Rossellini was at first, and during their initial meeting, Lynch blurted out that she was so beautiful, she looked like she could be the daughter of legendary actress Ingrid Bergman. Ding, ding, ding, Lynch hit it right on the head: she is Bergman's daughter.
33. No Audition Necessary
For her role in Blue Velvet, Dern didn’t even have to audition. All Lynch needed was their initial encounter, in which he found Dern’s personality to be perfect for the role.
Blue Velvet (1986), 20th Century Fox
34. Fast Food Meeting
Lynch is a big fan of Bob’s Big Boy fast-food chain. He utilized it for many things, including conducting the first meeting between Blue Velvet stars Kyle MacLachlan and Laura Dern.
35. Frank’s High
The gas that Frank is inhaling throughout Blue Velvet to get high was initially supposed to be helium, but after Dennis Hopper's voice sounded comic rather than scary on helium, they changed the gas to something else. What they changed it to is unknown, however, Hooper told Lynch he thought that Frank should be high on amyl nitrate.
Blue Velvet (1986), 20th Century Fox
36. Right in the Middle
Lynch is a master at editing. Exactly one hour into Blue Velvet—the film is two hours long—he made sure that Jeffrey’s line “I’m in the middle of a mystery” is spoken.
Blue Velvet (1986), 20th Century Fox
37. Creative Control
The reason why Blue Velvet was exactly two hours long is that producer Dino De Laurentiis insisted the film be no longer than two hours. It was one of the only conditions De Laurentiis made when he agreed to give David Lynch complete creative control over the final cut of the film.
38. Pay Cut
As a part of his agreement in having control over the final cut of Blue Velvet, Lynch agreed to take a $4 million pay cut.
39. Holy Cow
Lynch believed that Dern deserved an Academy Award nomination for her work in Inland Empire, so he took to unconventional methods in order to try and get her the bid. Instead of using money to create a widespread advertising campaign, Lynch brought a cow to the corner of Hollywood Boulevard and La Brea and sat beside it as a way to meet people and spread the word about Dern.
40. Open Cat
In order to inspire creative ideas for the nightmare of a film that is Eraserhead, David Lynch dissected a cat during the production to gain ideas on what type of textures to use for the movie.
Eraserhead (1977), American Film Institute (AFI)
41. No Hand In Writing
The only film directed by David Lynch but not written by him is the 1999 Disney movie—you read that right, David Lynch made a Disney movie—The Straight Story.
The Straight Story (1999), Walt Disney Pictures
42. Lynch’s Experiment
The film The Straight Story is considered by Lynch to be his “most experimental movie,” as it is a family film with a linear storyline, carrying a G-rating.
